The Final Piece of the Puzzle. Norman Rockwell

I started collecting magazines thirty seven years ago, just after I entered medical school in Chicago. In those days it was fun to go from city to city to the plethora of dusty old bookstores and mine for gold. On one of my day trips to nearby Milwaukee, I found a Saturday Evening Post with Norman Rockwell's first cover and bought it for 17 dollars.

Rockwell was still living then so I shipped it off to Stockbridge, Massachusetts with a number of other rare magazines and, sure enough, it came back signed with a wonderful inscription "This was my first Post cover of years ago, sincerely, Norman Rockwell.

It became one of my prize possessions and piqued my interest in Rockwell, who, for magazine collectors of the day was an icon. As it happened, my compulsive collecting of Rockwell illustrated magazines and books gave me some very interesting experiences.

In his later years, Rockwell's memory was quite poor and, unlike the compulsive Maxfield Parrish, he had not been in the habit of documenting what he had done in the past. As a commercial illustrator, he really cared little for the work he had done after it was completed. The final painting became the possession of whomever commissioned it and he most often gave away the preliminary drawings and canvasses.

As interest in Rockwell increased, the museum wanted to learn where the paintings they had came from and really had no siurce to find out. This was componded by a 1943 fire that destroyed most of Rockwells studio and records. Enter a crazy doctor from Chicago. They began calling me and, before too long, since I had put together the best collection, we had somewhat of a working relationship. I, essentially, became Rockwell's memory. I had the privilege of showing Rockwell's work to his wife and three sons shortly after he died.

In the late 1970's, we struck a deal. I gave them the collection I accumulated and they gave me an original Rockwell drawing in return, to my knowledge, the only piece of original art ever to leave the museum archive. Unfortunately, in the early 80's I donated it back to them for a $50,000 tax deduction. It would be worth in excess of a million dollars today- tsk tsk. On the basis of acquiring my collection, the museum was then able to put together a catalog raisonne of Rockwells work, "A Definitive Catalog". The author, still executive director, Laurie Norton Moffatt, was kind enough to acknowledge my participation in the introduction.

Getting back to the first Post cover. Since rarity rules, I actually traded it away to a friend for the first issue of LOOK Magazine in the late eighties. I eventually regretted the trade but, as luck would have it, my friend sold it to someone else, who put in on Ebay five years ago and I was able to re-acquire it for $900. A bargain by any measure.

Part of the collection I traded away to the museum was a complete collection of twenty or so early juvenile fiction books illustrated by Rockwell. Only yesterday, I acquired the final book to duplicate what I gave away thirty years ago. The last piece of the puzzle was "Keeping His Course" a very volume by Ralph Henry Barbour with four NR illustrations. It is probably rare since the title page incorrectly attributes the illustrations to another artist, Walt Louderback. Perhaps the publisher realized their mistake and pulled the edition. Anyhow, its taken thirty years to find another copy.

I still have a drawer full of the rarest Rockwell covers I've found over the years, most of which are not in the catalog. I still keep the museum up to date on my new finds. Thank goodness, Rockwell never kept records, he's the gift that keeps on giving- and my nostalgic Post cover is back where it belongs!

John Peter Zenger and Freedom of the Press. The New York Weekly Journal

President Obama is directly responsible for this post, by virtue of the comments he made yesterday iat the National Press Club about the importance of free speech and journalism.

I am often asked what the earliest item in my collection is. The New York Weekly Journal, printed by John Peter Zenger was started in 1733, eight years prior to what is generally considered the first magazine.

I obtained the first three issues (the first being only the latter portion) from a run sold at Sotheby's in the 1990's. While the issues surrounding Zenger's famous trial for seditious libel are the most coveted by newspaper historians, from a purely historical standpoint, I like mine alot better. The opening essay by "Cato" a pseudonym of either John Trenchard or Willam Gordon begins "The freedom of the press is a subject of the greatest importance", and goes on to explain why. This is the beginning of American thought on the subject we hold so dear. Fifty-five years later, the very first amendment to the Constitution on the United States made it official.

Further writing of this most important publication, codified by the trial, established the principal that the press was able to print defamatory material, as long as it was found to be true.

Sorry for the brevity of this post but I'm still quite busy finishing my new book (aside, of course, from also running a practice of neurology)- now available for pre-sale on Amazon.com.

The First Report of American Independence

Over the years I have been exceedingly fortunate to be able to put together a complete run, with all the engravings and maps, of Thomas Paine's Pennsylvania Magazine, published between January 1775 and July 1776. While much has been made of the importance of of the July 1776 issue, that contains the only contemporary magazine printing of the Declaration of Independence, the other issues are full of incredibly important articles and illustration.

In particular, the June 1776 issue is rarely discussed but, in my mind, far more valuable and important. The magazine was intended to be published on the first Wednesday of the succeeding month, therefore making the "Declaration" somewhat old news in early August, since it already had been published in numerous newspapers throughout the newly independent colonies (that now sell for over $100,000, the first, The Pennsylvania Evening Post, more than twice that) . The first printing of the actual declaration, the famous and exceedingly valuable Dunlap and Claypoole broadside (conservatively $2,000,000), was printed on Thursday the 4th and started being circulated on Friday the 5th.

Tucked into the very rear of the June issue is a succinct report from Tuesday, July 2, likely printed and circulated on Wednesday the third:

most probably the first printed report of American independence. Now that's a pretty big deal!

Here's what the entire front and back pages look like:

and there's more: a very rare an early American map of North & South Carolina and Georgia (the first of the area printed in America?) opposite page 268 (Jolly no. 300, incorrectly listed in in the May issue):

More to follow about other Pennsylvania issues shortly. Right now I'm off to meet the co-authoe of our Franklin Roosevelt book (my current passion) for one on New Jersey's great steaks.(Steve's Sizzling Steaks in Carlstadt) I'm getting hungry just thinking about it!

Analectic Magazine, Lithography, Naval History and The Star Spangled Banner

The most interesting and important American magazine of the second decade of the 19th century was The Analectic.(as was Joseph Dennie's Portfolio of the first decade) for many reasons- great literature, great history and great illustration.

Begun as an extension of an obscure journal, Select Reviews, it took on a life of its own in January 1813 under its new editor, the reknowned Washington Irving and articles by his brother-in-law, James Kirk Paulding. Irving's interest in the navy was reflected in his reviews and biographical works of such esteemed sailors as Commodore Perry. Irving lost interest in Magazine editorship in 1814 but the magazine continued to thrive, publishing, for the first time nationally, an anonymous military poem set to the music of an old english drinking song (Anacreon in Heaven) "Defense of Fort McHenry" later to be revered as "The Star Spangled Banner" as well as reviews of Lewis and Clark's expedition and an eclectic mix of great topical articles.

The July 1819 issue featured the first American lithogaph, by Bass Otis, here reproduced

The rear wrapper of the issue advertised a number of works by the prior editor and a later series featured early hand-colored engravings and this early view of the capitol in 1820.

Here is a random front wrapper with typically great engraving. I hope you have a better idea now about why wrappers are so important.

While were on landmark buildings, here's the first ever published image of the White House, in a British magazine gloating about their pyrrhic victory in burning it. What goes around, comes around as Uncle Sam said to John Bull!

Enjoy the spring, see you again soon.

Earth Day: First Appearance of Thoreau's Walden

My daughter, Whitney, is visiting from St. Louis and reminded me that today is Earth Day. To commemorate this event, we looked for an appropriate magazine and arrived at Thoreau's "Walden" as a great example of early environmentalism in America.

Many years ago I was driving through Connecticut and happened upon a very remote bookstore. As usual, I asked the proprietor if she had any magazines, and she lead me to the appropriate location in her store. In the stack of old magazines I spotted a few issues of Sartain's Magazine from 1852 - a very rare and late volume. To my joy, unbeknownst to the proprietor, two of the issues were especially interesting to me. The first, from May, contained an article entitled "The Iron Horse" with the author simply identified as "Thoreau." The second issue of interest contained a story entitled "Voyage in a Balloon" by Anne T. Wilbur.

Trying as hard as I could to hide my racing pulse, I enquired as to the price. Seven dollars, each, I was told. I paid the lady and proceeded to enjoy reading the first ever appearance of any part of "Walden" as well as the first American appearance of "Anne T. Wilbur," better known as Jules Verne. Both magazines were in their original wrappers. I have never seen another copy of either.

Another One That Got Away: Fame and Fortune, The Shadow

Fame and Fortune Magazine:
Adventures in Making Money 1929

"The Shadow of Wall Street" by Frank S Lawton

This pulp from the time of the 1929 crash just sold on eBay for $1500. I was outbid. The imagery is fantastic and quite pertinent to the present economic situation. To paraphrase Santayana, those who ignore the past are doomed to relive its mistakes!

For more background information on this publication and "The Shadow" see

http://findarticles.com/p/articles/mi_g1epc/is_tov/ai_2419101094/

"Girly" Pulps and Censorship in Magazines

I just received this rare first issue pulp magazine that I recently won on an eBay auction. It is the 841st first issue pulp in my collection. The universe of pulp magazines is a little over 1000 titles, including digests, one-shots and girly magazines.

There are two comprehensive checklists of pulps. The first, The Adventure House Guide, got me started on all this craziness. John Gunnison, Doug Ellis and John Locke, with the help of a few other advanced collectors put it out in 2000, creating a checklist with a lot of boxes to check off. This self-admitted fanatic, being tired of stamp and coin albums, took it upon himself to try to get the first issue of each and every one. Nine years later I'm 165 titles short and still trying. So far this year I've reduced the number by a grand total of one, so at this rate, if I live the biblical 120 years I'll get the number under 100!

To makes things worse, Tim Cottrill of Bookery Fantasy published his own guide a few years later that included additional titles, mostly of the "girly", semi-pornographic ilk that I just obtained. The first edition is long out of print but the second is readily available and quite valuable for the bibliographic information and prices it contains.

Pulp magazines pushed the envelope of sex and gore in the 1930's. Things calmed down a little in the early 40's when the victorians got involved. The "spicy" titles were changed to "speed" and the overt sado-masochism and racy sexual content got toned down considerably.

One interesting aspect of this that I've never seen discussed are the "star" issues. Many of the spicy titles were actually issued in two versions, one for the newstand and the other, more lurid version for "under the counter" distribution. Pulp collectors are quitw aware of these but the price guides don't reflect which issue have two versions, nor do they address any difference in price (I suspect the racy versions are rarer and, thus, more expensive).

It's not just the cover that's different. All the art inside is as well. So here, for the first time that I can tell, is two versions of a pulp magazine to illustrate my point. They are the first issue, of course, of Spicy Western from 1936:

See what I mean? Amazing stuff.

The issue of censorship in American magazines requires a more comprehensive entry that I will attempt at a later date. It's a beautiful spring day in New Jersey so I'm off to try to hit a little white ball into a four-inch hole. Fore!!

Modern Literary First Appearances in Magazines

Since the economic side of collecting seems to garner great interest among my readers, I thought I'd tell you of a purchase I made today on eBay. The picture on this listing appears to the left. Mademoiselle Magazine, June 1945, price $12.45. Any ideas?

It is the first appearance in print of an important American author. I've never seen it for sale before, but if it was in a catalog of Peter Stern, Ken Lopez or Between the Covers (three of America's finest dealers in modern first editions) it would probably be listed for more than $300 in good condition (this one is not- it's missing the back cover, though still quite scarce).

I also received in the mail two other items for which I paid twelve dollars each on a "buy it now"auction. One 1950's issue of Harper's, the other Atlantic, each containing the first printing of a poem by a highly regarded author/poetess who met with an untimely death. Both magazines are in great shape. I would value each at a minimum of $50.

Modern authors in magazines are fun to collect and, with a little homework, can be profitable as well (though, as I said many times, I collect magazines because I like them and not for monetary gain). There is no reference to go to for guidance.

There are many appearances of J.D. Salinger, Steven King, John Updike, Hunter Thompson and others that are generally off the radar screen to eBay sellers but not astute collectors. Enjoy!

Oh, I almost forgot! The two authors I referred to at the beginning of this post?

Truman Capote and Sylvia Plath.

Great Women in American Magazines: Elizabeth Palmer Peabody

Elizabeth Palmer Peabody is another of the grossly underappreciated women in American History. I came to know her by her connections with American magazines (how else?).





Ms. Peabody was one of the founders of the American transcendentalist movement and is best remembered for her role in pioneering juvenile education. A brief biographical essay follows:
http://www.alcott.net/alcott/home/champions/Peabody.html



When my son Tyson, now 34 and the father of my two grandaughters, was in high school, he told me how impressed he was after reading Henry David Thoreau's monumental essay on civil disobedience "Resistance to Civil Government".

http://www.transcendentalists.com/civil_disobedience.htm

This immediately brought to mind to this incurable collector, the question of where it was first published. To my delight I found it was first delivered as an essay in 1847 and first published in an exceedingly rare magazine, Aesthetic Papers, in 1849. Hence my introduction to the venerable Ms. Peabody who edited the journal.

Of course, the next mission was to obtain a copy. In the days before the internet, finding books was no easy task. I found a copy in an old catalog of M & S Books (Dan Siegel) of Providence, Rhode Island priced at $4500 (a pretty hefty bite in the 1980's when the dollar was worth fifty cents as opposed to today's value of a quarter!). I called Dan and it had been sold.

I then made it known to every major American bookdealer that I'd like to obtain one. No copy showed up for a number of years. Then, one year in the early 90's my customary annual trip to the Boston Book Fair was delayed by a severe snowstorm, causing me to arrive about one hour after the opening. The first dealer I ran into, Rob Roulon of Roulon Miller Books, figuratively punched me in the stomach when he told me that a copy of Aesthetic Papers in original wrappers had been sold to a collector just a few minutes earlier for $1000! As you can imagine, I was not a happy camper.

A few years later I was able to find to the one illustrated above, an ex-lib copy for $1250 (still a pretty good deal). I haven't had a sniff of another one since.

If you read my last blog, I bemoaned the fact that I don't own a copy of the November 18, 1865 issue Saturday Press, that contains the first printing of Twain's "Jumping Frog of Calaveras County". I should also note that two weeks earlier, this obscure magazine first published another blockbuster, Walt Whitman's "Oh Captain, My Caption".

Here we go again! I called Rich West at Periodyssey and he has never held any issue of this magazine. Another holy grail to search for. What the hey, that's what a collector lives for anyhow.
Speaking of transcendendalism, no comprehensive American magazine collection can ignore this important era in our history, which also encompasses the literature of the many utopian communities that flourished at the time. I have quite a few representative magazines but the acknowleged best is The Dial, with contributions by Margaret Fuller (another forgotten female genious) Thoreau and Emerson, to mention only a few. I was able to get a complete bound run from the great Michael Ginsberg and recently obtained another issue in original wrappers from Rich (he may have one or two more- worth owning, 4135271900, I don't get a commission!).



To those who observe, the best of the Easter/Passover season. See you again shortly!

Mark Twain in Magazines

Having just acquired an extremely important and rare periodical that contains twelve early Mark Twain appearances, it is an excellent time to present to you a short treatise about the periodical appearances of America's all-time foremost humorist. I believe that my collection now contains the best representation of Twain periodicals in private hands and, perhaps, anywhere.

The latest piece of the puzzle is The Californian. I could not hope to describe it any better than by pilfering Richard West's characteristically impeccable scholarship in the catalog description of Periodyssey, America's finest dealer in periodicals, from whom I acquired it.

A little bit about collecting here. You will note the catalog price of $7200. The present day economic woes (and, moreso, an ex-wife!) made that number somewhat prohibitive so, after giving him ample time to market the item, I negotiated a deal with Richard that included some cash and my six volumes of Harper's Weekly from 1860-1865. The details are not important but the philosophy is.

As a collector, rarity rules. I have only seen one other copy of The Californian for sale in thirty years and doubt I will see another. The other copy was at the California Book Fair about 15 years ago and, though I was tempted, it was so ridiculously overpriced that I passed on it. For all I know. this could be the same copy. So, despite my having only one Civil War run of the important Harper's Weekly, I know it could be easily replaced.

So win/win. Rich gets an item he can sell for a nice profit and I get an exceedingly important and rare item and free up some shelf space-Sort of like trading a superstar for a couple of prospects.

Ok. Enough pontificating. Now let's get to the good stuff.








The Californian (San Francisco) Vol. 1, No. 1 (May 28, 1864) to Vol. 2, No. 25 (May 20, 1865), comprising 51 issues (lacking the May 27 issue for a complete volume 2), bound in contemporary black half-leather and paper covered boards. Binding skillfully rebacked, handsome, edge wear and scuffing to boards; contents VG with light foxing. The Californian was the first important literary magazine produced west of the Mississippi. Charles Henry Webb, a former New York Times reporter, was its founder and editor. He chose as his assistant a young compositor on the San Francisco Golden Era, Bret Harte. Harte was to become the Californian's chief contributor (39 pieces in these two volumes) as well as editor for three months near the end of 1864. His exposure on the Californian put him in the position in 1868 to become editor of the newly launched Overland Monthly. But the Californian's most celebrated contributor was Mark Twain. While Twain had edited a few short-lived and minor Western newspapers before he walked into The Californian's offices, he was unknown to the literary world. The Californian became the first magazine (aside from one contribution to the Boston Carpetbag twelve years earlier) to publish his work. Bret Harte knew Twain was the real article; he placed most of his contributions on the front page. These two volumes contain twelve of Twain's emblematic essays:

-- October 1, 1864: A Notable Conundrum; First time magazine appearance of Clemen's work under the pseudonym "Mark Twain"; every bit as funny now as it was then. http://www.twainquotes.com/Calif/18641008.html -- October 8, 1864: Concerning the Answer to that Conundrum;-- October 15, 1864: Still further concerning that Conundrum;-- October 22, 1864: Whereas, or Loves Bakery;-- October 29, 1864: A Touching Story of George Washington's Boyhood;-- November 5, 1864: Daniel in the Lion's Den -- and Out Again All Right;-- November 12, 1864: The Killing of Julius Caesar -- Localized;-- November 19, 1864: A Full and Reliable Account of the Extraordinary Meteoric Shower;-- December 3, 1864: Lucretia Smith's Soldier;-- March 18, 1865: An Unbiased Criticism;-- May 6, 1865: The Important Correspondence of Mark Twain Concerning the Occupancy of Grace Cathedral; -- May 13, 1865: Further Correspondence of Mark Twain Concerning the Occupancy of Grace Cathedral.
In 1926, John Howell, the San Francisco bookseller, wrote "Very little is known of the work of Bret Harte and Mark Twain of the sixties, because the files of the publications for which they wrote have largely been destroyed." (Howell. Sketches of the Sixties [San Francisco, 1927]). OCLC isn't helpful because it combines this Californian (1864-1867) with the magazine of the same name that was published from 1880 to 1882, so it is difficult to figure out which institution has which title. The Union List is more straight-forward: it shows only four institutions holding complete volumes 1 and 2. This title is an important piece of Californiana and a cornerstone for any serious Twain collection. $7,200

Add this blockbuster to the next item and you have a real dynamic Twain duo.








Twain's first appearance was way back when he was sixteen, in Benjamin Shillaber's Carpet Bag in 1852, thirteen years prior to "The Notorious Jumping Frog of Calaveras County", considered to to be the work that launched his career (which appeared in The Saturday Press in November 1865 that, alas, I do not own). Schillaber's Mrs. Partington, who appeared in this journal, is considered to be the model for Tom Sawyer's Aunt Polly. Amazingly, some scholars disputed that it is Twain's work, but a short story set in Hannibal Missouri and signed S.L.C. leaves little doubt as to who wrote it. Heres a link it is in its entirety for your reading pleasure "The Dandy Frightening the Squatter", the first literary appearance of an American genious.

http://www.dandyism.net/?page_id=563

Twain's original work was published in magazines 178 times in a few dozen different publications, some posthumously. Most notably are the earliest excerpts of "Huckleberry Finn" in December, 1884 in The Century and "Tom Sawyer" in the exceedingly rare humor periodical Wild Oats on August 23rd, 1876 (the only known copy is at the New York Historical Society).








The first publication of "Huckleberry Finn"




One of my favorites is in the first issue of the very rare Kelley's Weekly on November 30, 1867. It contains a three column illustrated story entitled "A Yankee in the Orient. Mark Twain Takes a Turkish Bath." For you Twain scholars out there, my research indicates that this is the earliest appearance of any part of "Innocents Abroad" and that the six illustrations appear nowhere else!












Another favorite is this rare issue of Packard's Monthly that contains a Twain appearance.













The most comprehensive list of Twain Magazine appearances (not included is the Kelley's that I found later) is in a little volume Rich and I put together in 1997, what we lovingly refer to as "BALP", Bilbiography of American Literature in Periodicals available at http://www.periodyssey.com/

So there you have it- a marvelous asssociation with two of America's greatest assets- Mark Twain and its magazine heritage!

See you soon,

SL